This dissertation theorizes the relation between blackface minstrelsy and contemporary Black performance. The project analyzes the use of nineteenth-century blackface minstrel conventions in Black theatrical performances during later eras where its usage seems counter-intuitive: during the Black freedom struggles of the 1960s; within Black feminist and queer performance of the...
In the wake of environmental catastrophe, active intervention is needed to heal trauma, resist erasure, and navigate changing communities. Focusing on New Orleans after the federal levee failures following Hurricane Katrina, this dissertation looks across a diverse mix of case studies to theorize how communities utilize performance to navigate mass...
Black women performers have made, and continue to make, contributions to the U.S.-avant-garde performance canon and Black performance traditions that go largely unaccounted for in academic studies. Research has shown that across temporalities, Black women performers have mobilized experimental avant-garde aesthetics to disrupt and refuse essentialized notions of Blackness in...
This critical/theoretical history of performance art investigates the relationship between the body of the artist and the infrastructure of the city in Los Angeles and New York City between 1970 and 1985, with specific attention to how performance art resists, renegotiates, and responds to architectural functionalism. Using performance studies as...
“Embodying Race, Performing Citizenship” investigates racial and ethnic impersonationsin American popular entertainment, especially vaudeville, between the 1870s and the 1920s. I
focus my analyses on first-generation Irish, Chinese, and Jewish Eastern European artists and
their American-born children during a time when the United States had absorbed the highest
number of...
Unmournable Void: Tending-Toward the Dead and Dying in Contemporary Black Performance and Visual Art, explores critical artistic practices that tend to the historical conditions of anti-black violence resulting from transatlantic slavery, colonialism, and apartheid. This triad of regimes produced the Black condition as the unmournable void lived in close proximity...
This dissertation is a theoretically informed project that blends ethnographic and archival research methods to examine how queer and transgender performance artists deploy monstrosity as a tactic to question the terms by which LGBTQ people are granted or denied humanity in twenty-first century United States. While there is an abundance...
Infidel(itie)s of Colour: Unruly Black Bodies, Modernity and Performance in Post-Apartheid South Africa focusses on the ways that queer and feminist artists of colour draw upon their traditional black cultural heritage and spiritual practises as a means of laying claim to cultural citizenship and belonging in post-apartheid South Africa. I...