This dissertation argues that writers and artists in Britain and its Empire in the first half of the twentieth century turned time and again to games and sports to find images and forms for their literary and artistic interventions. Furthermore, it shows how, in these works, play served as a...
This dissertation seeks to make sense of the recurring anachronism of aristocracy within early twentieth-century French culture, especially in literature and film. Most studies present the aristocrat as simply one among many examples of the nostalgia, reaction and fascination with the archaic that constituted an important intellectual and artistic tendency...
This dissertation investigates the nature of apocalyptic fiction in the first Soviet decade. In my introduction, I consider the secondary or underground status that apocalyptic thought assumed during this period vis a vis the prevailing cultural ethos of utopianism. I assert that Russian literary apocalyptic persisted as a genre by...
This dissertation, “Altered Belonging: The Transnational Modern Dance of Itō Michio,” argues that Itō forged an artistic and social identity out of the very categories of racial and national difference typically used to exclude Japanese from Euro-American society. The strategies he employed provide a paradigm for how performing bodies marked...